Tag Archives: Craftsman Bungalow

All You Ever Wanted To Know About Bungalows Part V

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In this episode of my ongoing series, All You Ever Wanted To Know About Bungalows, I thought it was time to take a look at bungalow landscaping. Just like any yard, it can be anything you want it to be. I love preservation and so nothing makes me happier than to see a yard that stays true to the period of the house and supports the authenticity of the project at hand. So what does that mean in bungalow terms? Well, to answer that question, I had to go back in time and review what people did with their yards one hundred and fifty years ago when the craftsman architecture began to emerge. What were people doing with their yards back then and did many people even have them? The answer to the latter part of the question is a resounding yes. Your garden was important during this era. This was a time when there was no accessible technology. Only scientists were accessing that world and preparing it for commercialization. Owning, designing and presenting your garden were entertainment.

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As the Craftsman movement emerged in California, adherence to the core concepts espoused by it’s English founders John Ruskin, William Morris and Augustis Pugin created a very different style of living from the accepted mores of the time. The style represented an economic and social reform that was anti-industrial. Thus, you had homes that emphasized natural materials and a layout that promoted the health of it’s inhabitants. Artistic influence was key. Acknowledging the natural creativity of the human being and utilizing this to construct the home. Beauty with intelligence was the key concept of the Craftsman architecture. Utility and reliable construction were more important than ornamentation, because what came naturally was considered ornamentation in itself.

A traditional Craftsman landscape would include a lawn in the front and ended there.  Traditionally, lawnm did not surround the home. The majority of bungalows were small and would have a smaller lawn. Trees were important and the Roosevelt Pine with it’s drooping limbs and fan like foliage added grace and a touch of wilderness to the scene. Magnolia trees were also great for shade and beauty. There would most likely be roses in a welcoming position near the pathway to the front door or at the front porch itself. Other popular plantings were wildflowers and native plants. Lilac was a favorite tree. Cactus and bougainvillea were utilized as well. The spiritual myrtle was well loved and creeping fig too.

The backyard was more rustic and usually there was a vegetable garden filled with tomatoes, cucumbers, potatoes, beans, spinach, chard and kale. Benches and birdbaths were popular. Paths lined with large natural stones were also part of the more rustic landscaping. It was all about incorporating nature and maintaining a earthy and inviting setting.

Fast forward the present. Here we are in 2018, weather patterns are changing and changing the life cycle of plants. Climate change has been recognized by brilliant scientists across the globe. The topic is controversial; it’s causes and how the human race will move into the future and live in harmony with the changes occurring. Current recommendations in Southern California are to go with drought resistant plants. These also make a welcoming and gorgeous landscape. These were already used in the past to a lesser degree, but now we are encouraged to let our lawns go to save precious water.  Utilize plants that are hardy and need small amounts of watering. Several homes in my historic neighborhood have embraced this movement and their yards look amazing. This gardening concept is slowly taking hold, but has a significant presence.

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The last addition to be made to a Craftsman garden is rustic lawn furniture.  Furniture made of tree canes blends well into the naturescape.  A bird fountain to attract feathered friends.  In the larger, grander properties, Koi ponds were popular.

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Craftsman culture encompasses the love of the outdoor space and it’s importance cannot be diminished. Whether it be carefully designed and executed; or left to nature, the Craftsman architecture inspires a creative and beautiful outdoor space.  Head out soon to any historic district in Southern California, especially the Inland Empire and you will find no end to the beautiful examples of classic Craftsman landscaping.

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Meaningful Green:

Magnolia trees (Magnoliaceae): Symbol of feminine strength, faith, beauty, gentleness, purity and nobility.

Myrtle (Mertus) Symbol of beauty, love, paradise, sweetness, justice, divine generosity, peace, and recovery.

Cactus (Cactaceae): warmth, protection, endurance and maternal love.

Ancient Summer

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I live in a house that’s over a hundred years old. To someone from the East Coast or Europe, it’s not really such a big deal or ancient. But in California it qualifies as old. Our oldest building in California is the Mission San Juan Capistrano, which is 236 years old, but there are not many like her. Over the years, people have asked me, what is it like to live in a old house?

Currently, it’s summer, so most of my perspective is coming from that place. Basically, it’s hot. We are into September, which is still kind of summer in the Inland Empire and it was 100 yesterday. It was 117 last month and was up to 106 three days in a row during one week. Yes, I have central air conditioning. And I have a friend that put down new base boards for me, so that forced cold air now stays in the house. When I first moved into the house, there were cracks and gaps everywhere and light actually shown through. Did this disturb me? No. I liked the fact that fresh air was constantly being exchanged and I could see sunlight peeking through near the floor. I even got up at a Board of Realtors meeting in Corona and expoused on the benefits of air exchange in old bungalows, so that gives you a big clue where I’m coming from when discussing restoration and preserving the originalty of antique structures. It’s that type of perspective that you find from people who live in old houses. It’s a love for imperfection caused by years of wear and tear. A love of fine craftsmanship from a day gone by that is hard to find in new construction these days. If you want it, you have to pay a dear price, whereas at the turn of the century most men had to know how to work with their hands and took immense pride in what they created.

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So this house is made of redwood and it gets hot. I asked my son why the electric company sent us a notice informing us that I used too much electricity-more electricity than 100 of my neighbors within a mile radius. He matter of factly told me; you live in an old house. A lot of the comparable were with neighbors from up the street. They have new modern systems that don’t use as much energy to cool their homes. You know the houses are air tight and stuccoed as well and help to stabilize the temperature.

I appreciate the benefits of stucco, but redwood is so beautiful and strong that it’s hard for me to see past that. The older the wood is, the more value it holds. Old wood is sturdy and tough and great for building. It comes from trees that lived long lives before they were cut down. It can be as hard as cement.The wood holds a spirit and character that lends a certain ambience when you build a home out of it.

Oh I know, you are probably thinking that trees and wood don’t have personality or life. My beliefs are different. Trees keep us alive and without trees, human life would not exist. Trees, especially ancient trees have lived through climate change, wars, pollution and natural disasters. They absorb the stuff of life and it’s held within their roots, trunk and foliage. When a tree is harvested for building, along with it’s wood comes all of the energy and nutrients it absorbed over it’s lifespan. The wood holds all of that and it holds it for a long time. The oldest wooden house in the world is over 700 years old. The house is in Switzerland and the local belief is that as long as someone lives in the house and lives a good life, it will remain strong and provide a safe and comfortable shelter.

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When I was in the market for a house, I fell in love with my old house at first sight. There was an inexplicable ambience when I walked through the front door that was hard to describe. It was pleasant and gentle, almost a loving feeling that permeated the warm and musty interior. Later, I found out that the house had been lived in by many good people. A farmer, a Navy officer, teachers, an attorney and many more. A passionate teen romance had played itself out on the second story of the house. In the attic were old love letters stashed away and favorite toys. The couple had cast their initials with a heart in cement next to the vintage light post outside.

Certain days during the summer, I’ll go up to the second story where it’s almost impossible to cool down the rooms and sit in the heat and soak in the hot air, the agedness of the house. The smell of the redwood and old plaster is released into the atmosphere. Memories of my own life, raising my children in the house, restoration projects and community meetings move about the room and come to life. It’s deeply satisfying and spiritual; an affirmation that the circle of life is there and goes on beautifully with love and care.

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All You Ever Wanted To Know About Craftsman Bungalows Part I (The Bungalow)

Welcome to my series on Craftsman Bungalows. This is part one of my ongoing blog series, that will introduce to the author (me) and the craftsman bungalow. Here, you will find a blend of my personal experience, hopefully something informative, but most of all a bit of entertainment. So, as my daughter’s first grade teacher always used to say, “Let’s proceed.”

As early as I could remember, I was drawn to old houses. On the way to my elementary school was an old mansion surrounded by mid-century homes. The contrast of old and new architecture fascinated me and I found it mysterious. The house rambled across it’s property. It’s ornate expanse was covered with hand carved wood embellishments. The obvious time, talent and caring that had gone into creating the beautiful home, were a bright contrast to the simpler architecture of the modern homes surrounding it. The child that I was on that day, hoped that I could live in it or an old house just like it. I was a child that loved fairies, fantasies and magic and my favorite book was a collection of Hans Christian Anderson tales. The house appeared to be of another world, magical and safe. The funny thing was, that my Mom had just remarried and she and my new step-dad were considering it. They ended up finding a another home that ended up being a better fit for us. My parents had seven children combined and taking on a rambling old Victorian was a bit much for newly blended family.

Time passed and life happened. I was settled into my career as a nurse and I’d entered into a stage of life where I wanted to have a home, a nest for myself and my children.  It was a time when the economy was severely depressed and people were not buying houses. Hundreds of brand new homes were empty and waiting. They were beautiful homes, but the climate wasn’t friendly for buyers. Industry was being outsourced and moved to other countries and thousands of people had lost their jobs and futures. The old neighborhoods suffered even more. The old homes were used as rentals and tax write-offs.  Restoration was not even on the horizon. I wanted a bargain, so that’s where I went. The old beauties sat and waited patiently. Most of the homes had paint that was peeling and the exteriors in need of repairs. Broken wood, cracked cement, roofs disintegrating, overgrown yards and sheds that were practically falling over. There were several domains of historic architecture represented. There were Craftsman Bungalows, Victorian Farmhouses and Spanish Colonials.  I didn’t see them as old and ugly. They looked like treasures to me with infinite possibilities. I felt at home here. Maybe because I came from a lineage of immigrants, farmers, people that had to fix things. My ancestors arrived on the shores of the United States with the clothes on their backs and a few meager possessions. They had to work hard to make a life. I had grown up at the knees of my grandparents who loved to tell stories of working with their hands. Stories about baking the perfect loaf of bread, hiking five miles through the frozen plains of Iowa to get to a one room school house or preparing meals by hand in a pot bellied stove for a team of ten men who had just hiked in from the fields. That’s how I found my bungalow and decided to invest my life in making a home. That was a beginning of a journey that would take me to new and exciting places and to meet fascinating people.

How could a style of architecture inspire journeys and friendships that would develop into a lifestyle? I started picking up journals about bungalows and surfing the internet to learn more. At first I was mostly looking for information on how to refinish old floors, fix lathe and plaster, take down popcorn ceiling. I found swaths of information. I found out that there were many houses just like mine in the older neighborhoods of most American cities. These areas were called “Bungalow Belts”. My smallish city didn’t have a bungalow belt. What we had was a small collection of well-preserved bungalows with well documented history and several of the bungalows have become city landmarks registered with the state of California. The bungalows were located in and around the old city circle; a historic twentieth century race track that was once a national road race with the largest purse in America during it’s time. My downtown neighborhood was eclectic and combination of every known demographic. I loved people, so it was perfect for me.

As I met my neighbors, life became exciting and fun. I loved hearing my neighbors stories about their lives and the countries that had travelled so far from for a new and hopefully better life. They reminded me of my grandparents, all of them immigrants and hard workers, they had believed in the American dream and never gave up on it. Some of my neighbors were what I called the ‘originals’. Their families had been in my neighborhood since before the turn of the twentieth century and had been witness to decades of change. They were able to give first hand accounts of the evolution of a booming citrus colony into a modern day bedroom community.

Slowly, as I settled in, I began to hear of lectures and events that centered around history and old architecture. I began to attend these and then I was making my own personal history. My budding interest became a full immersion into learning about the past, old architecture and local history. I was an amateur anthropologist and I found it incredibly fascinating and fun. I began to meet people that felt the same way. They were called ‘historicals’. Like most people that loved history; the joy was in the telling of what you had learned and keeping it alive by telling it over and over again to people that never tired of hearing it.

So that was how living in bungalow changed my life. A simple antique cottage; worn and adorable. A small thing that changed my life for the better.